Nationwide Releases
Nothing wants to compete with X-Men 3 this weekend so there is only one nationwide release while everything else is limited. It does not earn fresh marks though.

X-Men 3: The Last Stand
There is a “cure” for the mutant gene so everyone must decide if they want to be boring normal humans or super cool freaks.
Rotten Tomato Score: 52%
Rotten Tomato Consensus: Director Brett Ratner has replaced the heart and emotion (and character development) of the previous X-Men films with more action and explosions. The film should still provide ample entertainment, but viewers may truly wish this to be the Last Stand.
“When other mutants approach Leech, their special talents vanish. It’s much the same effect Ratner has on actors.”
– Phil Villarreal, ARIZONA DAILY STAR
“This is interesting stuff. So why does The Last Stand feel driven to dumb itself down, as if embarrassed by its own ideas?”
– Lisa Schwarzbaum, ENTERTAINMENT WEEKLY
“Billed as the climax of a trilogy, the third and weakest chapter in the X-Men series is a blatant attempt to prove there is still life in the franchise.”
– Peter Travers, ROLLING STONE
“Where Singer played up the real-world parallels inherent in the franchise’s premise, Ratner clearly feels more comfortable when things are going boom.”
– Ethan Alter, PREMIERE MAGAZINE
“X-Men: The Last Stand — reputedly the last in the series (we’ll see) — still manages to be an eye-filling fantasy extravaganza and a big crowd-pleaser.”
– William Arnold, SEATTLE POST-INTELLIGENCER
“The X-Men have survived mutation, persecution, and supervillainous foes hell-bent on their destruction. But can they survive Brett Ratner? Well, no.”
– Nathan Rabin, ONION AV CLUB
Limited Releases

An Inconvenient Truth
Documentary presented by Al Gore about the effects global warming are having on the planet right now and what will happen if we don’t do something different now.
Rotten Tomato Score: 90%
Rotten Tomato Consensus: A powerful and informative documentary about one of today’s most debated topics, presented by Al Gore with compelling scientific evidence.
“[Y]ou don’t need to like Gore, or trust him, or even believe him to get a swift kick in the pants, one that’ll scare the hell out of you…”
– MaryAnn Johanson, FLICK FILOSOPHER
“… the film makes for compelling psychobiography despite the fact that Gore, stiff as an air-conditioned breeze at the Four Seasons, isn’t the least bit compelling himself.”
– Rob Nelson, VILLAGE VOICE
“It’s as a piece of entertainment that the movie scores its most surprising victory, taking the audience on a dizzying emotional and intellectual journey.”
– Brett Buckalew, FILMSTEW.COM
“What one comes away with hoping for the future is that we do not look back on Al Gore as we look back now on Eisenhower (”Why We Fight”) or Edward R. Murrow (”Good Night, and Good Luck”) - as a man who gave a warning unheeded. “
– Laura Clifford, REELING REVIEWS
“I wish that there was a way to get the facts in this film in front of the audience that needs to see it, the audience that takes the words of human mockeries like Michael Crichton and Michelle Malkin as gospel.”
– Devin Faraci, CHUD

Cavite
An American citizen visiting his homeland of the Philippines for his father’s funeral finds out that his mom and sister have been kidnapped by terrorists and he must do what they say if he wants to see his family alive.
Rotten Tomato Score: 75%
Rotten Tomato Consensus: A gritty, low-budget thriller, Cavite takes us on a heart-pounding ride through the seedy Filipino underworld.
“It’s fast-paced and grittily entertaining, but never in that safe and generic way that most Hollywood thrillers shoot for.”
– Scott Weinberg, EFILMCRITIC.COM
“Alarming and unrelenting”
– Chris Cabin, FILMCRITIC.COM
“Gamazon and Dela Llana have accomplished a neat trick: delivering a piece of terrific entertainment while opening a window on bigger issues and a rarely seen culture.”
– Pam Grady, REEL.COM
“Shows how a movie with no budget can still thrill.”
– Harvey S. Karten, COMPUSERVE
“It might have worked if co-director/star Gamazon had taken an acting class, or if the kidnapper didn’t sound like a villainous GPS navigating device.”
– Scott Tobias, ONION AV CLUB

Lower City
Two friends in Salvador meet a girl and they both fall in love with her. She doesn’t seem to mind playing with both of their emotions while they fight for her.
Rotten Tomato Score: 67%
“Enjoyable drama that is like a cross between City of God and Y Tu Mama Tambien, with lashings of sex and violence and even the odd bit of ****-fighting thrown in.”
– Matthew Turner, VIEWLONDON
“Though the storyline is dirt simple (can friendship outlive jealousy?) and not particularly meaningful or involving, the action in this character-driven film is scintillatingly sexy.”
– Deborah Young, VARIETY
“The Lower City is a disappointing picture that’s less than the sum of its sporadically involving parts.”
– Timothy Knight, REEL.COM
“Spunky performances and a dynamic, earthy style boost an otherwise predictable, albeit sexually-charged, latino love triangle.”
– Simon Crook, EMPIRE MAGAZINE [UK]
“It’s unlikely that even the most sophisticated or jaded of festival audiences will kindly endure the onslaught of viciousness on display.”
– Duane Byrge, HOLLYWOOD REPORTER

Stagedoor
Documentary about Stagedoor Manor Performing Arts Training Center where aspiring teenage actors go to train. Past graduates include Robert Downey Jr., Jennifer Jason Leigh, Zach Braff and Natalie Portman.
Rotten Tomato Score: 60%“Divas-in-training, overacting, pouting, and enough angst to fill a season of reality TV… but there are also some terrific performances by some extremely talented kids.”
– Cherryl Dawson and Leigh Ann Palone, THEMOVIECHICKS.COM
“… bears an unfortunate resemblance to one of the ambitious three-week productions the Stagedoor Manor campers strive to put on.”
– Merle Bertrand, FILM THREAT
“Fans of Todd Graff’s endearing Camp will also enjoy Alexandra Shiva’s documentary about Stagedoor Manor, the real-life Catskills summer workshop that inspired Graff’s Camp Ovation.”
– Ken Fox, TV GUIDE’S MOVIE GUIDE
“Alexandra Shiva’s Stagedoor is a sloppy and only mildly engaging documentary about Stagedoor Manor, a legendary summer performing-arts camp in the Catskills.”
– Lou Lumenick, NEW YORK POST
“… unimaginative but diverting …”
– David Edelstein, NEW YORK MAGAZINE

The Big Buy - How Tom DeLay Stole Congress
Documentary about how Tom DeLay bought Congress and ended up gettin indicted for it.
Rotten Tomato Score: 50%
“This film certainly encourages you to learn more and trust less… and makes you wonder whatever happened to government ‘by the people, for the people’.”
– Cherryl Dawson and Leigh Ann Palone, THEMOVIECHICKS.COM
“Unapologetic partisanship underscores the central question and problem of The Big Buy: For whom and what is it intended?”
– Tom Maurstad, DALLAS MORNING NEWS
“For some viewers, it will be a simple hatchet-job; for others, a joy to watch. The truth is, it’s both.”
– Frank Swietek, ONE GUY’S OPINION
“The scrappy small-budget pic remains persuasive throughout, and occasionally offers ‘Gotcha!’ moments that are laugh-out-loud funny.”
– Joe Leydon, VARIETY

Shem
A bored London kid goes off on a mission to find his grandmother’s father’s grave in Europe since he went missing in WWII. He has lots of adventures to find his true self.
Rotten Tomato Score: 17%
“Shem is the flipside of the similarly juvenile My Summer of Love–condescending about sex and ostensibly reverential to faith.”
– Ed Gonzalez, SLANT MAGAZINE
“A pointless hodgepodge, with a finale that will leave viewers scratching their heads.”
– V.A. Musetto, NEW YORK POST
“A muddle of good intentions and bad direction, this amateurish road movie follows a young Brit across Europe as he reconnects with his Jewish roots.”
– Elizabeth Weitzman, NEW YORK DAILY NEWS
“Perhaps the most distinctive thing about Caroline Roboh’s rambling follow-up to her 1983 debut Clementine Tango is that it features one of the least likable protagonists ever.”
– Ken Fox, TV GUIDE’S MOVIE GUIDE